Fleabag

Daniel De Luca is a half-Italian ex-marine who returns to Italy, the land of his childhood, and takes up problem solving in one of the most luxurious hotels in the world, located on the spectacular coast of Positano.

"The Jeffersons" was perhaps the most-successful spin-off series to "All in the Family." George Jefferson was the Black version of Archie Bunker in many respects: both were loud-mouthed, opinionated, and set in their bigoted ways. By 1975, Jefferson's fledgling dry-cleaning business, Jefferson Cleaners, had successfully grown into a small chain; his newfound wealth led to moving his family to a "deluxe apartment in the sky" in Manhattan. His family included his wife Louise, a level-headed and open-minded woman who often had to scold George when his mouth got him into trouble; and their son Lionel, an engineering major at a local college. George especially disliked Tom and Helen Willis, an interracial couple (he was white, she was Black) whose daughter Jenny was dating and later married Lionel; Florence, his sharp-tongued maid; and Harry Bentley, the esoteric Englishman who lived next door. George often flaunted his wealth and displayed rude, arrogant, bigoted behavior; however, he often found that money didn't open every door or win him favor with everyone. In later years, George and Louise became grandparents when Lionel and Jenny welcomed their adorable little daughter Jessica; and Lionel and Jenny found work, he as an electrical engineer, she as a fashion designer; but Lionel and Jenny's marriage crumbled. Meanwhile, as Jefferson Cleaners continued to expand, George continually had to deal with competing dry-cleaning franchises who sought to put him out of business. In the final season, George and Tom formed a partnership and purchased Charlie's Bar, their favorite hangout.

An intense, arduous and frequently hilarious year in the life of Britain’s most unlikely farmer, Jeremy Clarkson. Join Jeremy and his rag-tag band of agricultural associates as they face-up to a backdrop of unhelpful weather, disobedient animals, unresponsive crops and an unexpected pandemic. This is Jeremy Clarkson as you’ve never seen him before.

THE BOYS is an irreverent take on what happens when superheroes, who are as popular as celebrities, as influential as politicians and as revered as Gods, abuse their superpowers rather than use them for good. It's the powerless against the super powerful as The Boys embark on a heroic quest to expose the truth about “The Seven,” and their formidable Vought backing.

From the world of The Boys comes Gen V, which explores the training of the first generation of superheroes to know about Compound V, and that their powers were injected into them, rather than God-given. These young, competitive heroes put their physical and moral boundaries to the test, competing for the school's highly coveted top ranking. They quickly come to learn that ambition comes with sacrifice, and the difference between right and wrong is not as clear as they once believed. When the university's dark secrets come to light, the students must come to grips with what type of heroes they are going to become.

Set in 1950s Manhattan, The Marvelous Mrs. Maisel is a 60-minute dramedy that centers on Miriam "Midge" Maisel, a sunny, energetic, sharp Jewish woman who had her life mapped out: go to college, find a husband, have kids, and throw the best Yom Kippur breakfasts in town. Soon enough, she finds herself exactly where she had hoped to be, living happily with her husband and two children on the Upper West Side. A woman of her time, Midge is a cheerleader wife of a man who dreams of a stand-up comedy career, but her perfect life is upended when her husband suddenly leaves her for another woman. Utterly unprepared, Midge is left with no choice but to reevaluate her life. When she accidentally stumbles onto the stage at a nightclub, she discovers her own comedic skills and decides to use this newfound talent to help her reinvent her life. The series follows the trajectory of Midge's journey as she pursues a career in the male-dominated stand-up comedy profession, and it transforms from uptown society matron to East Village club performer.